| Première partie : The Mystery of Music : Curtain tune, extrait de "The Tempest, acte 1" |
The cryes of London (Part 1) |
O the pleasure of the plains, extrait de "Acis and Galatea" HWV 49 (Acte 1, no 2) |
If music be the food of love, Z.379c |
Music divine, extrait de "Songs of 3. 4. 5. and 6. parts" |
The singing club, a catch (Do, Re, Mi, Fa), extrait de "The Essex Harmony,being a choice of the most celebrated songs and catches" |
Sharp violins proclaim, extrait de "Ode for St Cecilia"s Day "From harmony, from heav'nly harmony"", HWV 76 (no 7) |
Strike the viol, touch the lute, extrait de "Come, ye sons of Art, away : Birthday song for Queen Mary", Z 323 (no 5) |
Of all the instruments that are, Catch, Z 263 |
Wondrous machine, extrait de "Hail! bright Cecilia : Ode on St Cecilia"s Day" Z 328 (no 8) |
The soft complaining flute, extrait de "Ode for St Cecilia"s Day "From harmony, from heav'nly harmony"", HWV 76 (no 6b) |
Duett and chorus "Now all the air shall ring", extrait de "The Fairy Prince" |
Deuxième partie : A Night of Revels : Oh let the merry bells ring round, extrait de "L'Allegro, il Penseroso ed il Moderato", HWV 55 (Part 1, no 19) |
Air "See, even night herself is here", extrait de "The Fairy Queen" Z 629 |
Come sable night |
One charming night, extrait de "The Fairy Queen Z 629" (Acte 2, no 16) |
In these delightful pleasant groves, extrait de "The Libertine, or the Libertinedestroyed, Z 600" (Acte 4) |
Welcome, blacke night , extrait de "A Pilgrimes Solace" (no 20) |
Air "Hence with your trifling deity", extrait de "Timon of Athens, the Man-Hater Z 632" (no 5) |
Trio "But over us no griefs prevail", extrait de "Timon of Athens, the Man-Hater, Z 632" (nos 5 et 6) |
Duet "Make room for the great god", extrait de "The Prophetess, or The History of Dioclesian, Z 627" (Acte 5) |
Trio and chorus "I'm here with my jolly crew" ; Danse of Bacchanals, extrait de "The Prophetess, or The History of Dioclesian, Z 627" |
Bacchus is a pow'r divine, Z 360 |
'Tis women makes us love, Catch, Z 281 |
Fairest isle, extrait de "King Arthur, or The British Worthy, Z 628" (Acte 5, The Final Mask, no 42) ; Fairest isle (Song in King Arthur) [arrangement à 3 voix] |
Cease these false sports , extrait de "A Pilgrimes Solace" (no 20) |
As with rosy steps the morn, extrait de "Theodora, HWV 68" (Part 1, scène 4, no 10) |
As steals the morn upon the night, extrait de "L'Allegro, il Penseroso ed il Moderato", HWV 55 (Part 3, no 39) |
Now the night is chas'd away, extrait de "The Fairy Queen, Z 629" (Acte 4) |
The cryes of London (Part 2) |
Hither all ye Graces, all ye loves, extrait de "The Judgment of Paris" [Rappel] |
All salute the rising sun, extrait de "The Fairy Queen, Z 629" (Acte 4) [Rappel] |
![Hither all ye Graces, all ye loves, extrait de "The Judgment of Paris" [Rappel] | John Weldon](https://pad.philharmoniedeparis.fr/ui/skins/MEDIA/portal/front/images/General/DocType/UNI42C_MEDIUM.png "Plus d'infos sur 'Hither all ye Graces, all ye loves, extrait de \"The Judgment of Paris\" [Rappel]'")
